Grille de coordonnées pour overlays Remotion

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name: overlay-coordinate-grid description: Place and verify every overlay by reading exact coordinates off a labelled coordinate grid instead of estimating positions. Grid the real footage frame when graphics must line up with something in shot, and grid the overlay's own renders to measure where things actually landed — text bounds, collisions, margins, centring. Use for every overlay composition, whether or not it's tied to footage. metadata: tags: remotion, overlay, layout, measurement, compositing, verification

When to use

Every overlay. Estimating positions is the most common way these compositions go wrong, and a grid replaces the estimate with a measurement. That covers two situations, which often come up in the same build:

1. Graphics that must line up with something in the footage — a hat on a head, a prop in a hand, an arrow at an object, a label on a product. Grid the footage frame.
2. Any overlay at all, including ones with no footage — grid your own renders to see where elements really are. Font metrics, letterSpacing, textAnchor, stroke widths and rotations all move things away from where the code suggests.

Real misses from this project that a grid catches immediately:

• IdentityShell — the word was assumed to start at x≈460. Gridded, RUNNER spans x 330–1597, so the crack origin and bounds were 125px short and the first letter never cracked.
• UnattachedGate — a gate swing arc drawn from assumed geometry ran straight through the JOY label.

Pair with remotion-house-style for brand, export settings, folders and naming, and for its propose-first rule. This skill covers where things go and proving it.

The rule

Never estimate a position. Read it off a grid, then prove it on a grid. Images shown in chat are downscaled, and code-level geometry isn't where the pixels end up, so "looks about right" is routinely 50–150px out. Don't report a layout or placement you haven't seen on a gridded render.

Run everything from the Remotion project directory and keep review files in out/checks/<composition>/ (gitignored). Scripts need Python 3 with Pillow.

1. Get a reference image

• Your own render (always available): render in composition pixels —

  npx remotion still <CompositionId> out/checks/<name>/still-<frame>.png --frame=<frame> --scale=1
  

  --scale=1 matters: the project renders at 2x by default, which would put every coordinate at double.
• A pasted screenshot of footage. The attachment note gives its original size (e.g. original 2158x1208); find the file by exact dimensions:

  mdfind "kMDItemPixelWidth == 2158 && kMDItemPixelHeight == 1208"
  

  macOS screenshots usually land on the Desktop.
• A clip. No system ffmpeg here, but Remotion bundles one:

  npx remotion ffmpeg -y -ss <seconds> -i <clip.mp4> -frames:v 1 out/checks/<name>/source.png
  

  It prints a version-mismatch banner first; that's noise, go by the exit code.
• Footage needed but not available — ask for it. Don't place off the chat image.

2. Grid it

# Whole frame, labelled every 100px:
python3 .claude/skills/overlay-coordinate-grid/scripts/grid.py <image> out/checks/<name>/grid.png

# Zoomed, finer grids on the areas that need precision:
python3 .claude/skills/overlay-coordinate-grid/scripts/grid.py <image> out/checks/<name>/grid.png \
  --region head=720,0,1240,330,25,2 --region hands=420,840,1520,1080,50,1 \
  --save-normalised out/checks/<name>/frame.png

• Every label is in composition pixels (the image is normalised to --size, default 1920x1080), so numbers go straight into code.
• A region is NAME=x0,y0,x1,y1[,step[,zoom]]. Grid the whole frame first to find the area, then tighten the box and raise the zoom.
• Transparent renders are flattened onto --background (dark by default; use light when checking dark elements).
• --save-normalised keeps a resized copy of a footage frame to composite onto later.
• It warns when the source aspect ratio is more than 1% off target. For a screenshot that almost always means player chrome or letterboxing — crop it out first or every coordinate is skewed.

What to write down:

• Bounds of text and shapes — the real left/right/top/bottom, not the x/y you passed in.
• Anchor points for footage — where a graphic makes contact: crown of the hair, hairline, palm centres, thumb tips, an object's corner.
• Tilt from a rigid feature pair. For a head, use the eyes, never the eyebrows — a raised brow reads as a 13° tilt on a head tilted 4°.
• Scale from a known span: head width, distance between hands, an element's width.
• Clearances between elements that mustn't touch, and to the frame edges.

3. Build with measured numbers

• Put measured values in named constants at the top of Main.tsx, with a comment saying where they were measured ("calibrated from a render: glyphs span x 335–1590"). Re-fitting to a new shot or a copy change should be a constants edit.
• Draw each object in its own local coordinates (centred on 0,0, lying along +x) and place it with translate(x y) rotate(angle) scale(s). Geometry stays independent of placement, and entrance animation composes onto the same transform.
• Rotate about the point of contact, not the object's centre — the bottom of a cap's band, the hand holding a prop — or tilting lifts it off what it rests on.
• Hand-held props sit over the thumb or palm. An overlay can't go behind a finger, so pick angles where covering the thumb reads as gripping.
• Say whose left and right. A person facing camera has their left hand on the right of the screen. Describing a screenshot, default to screen sides, say so, and make swapping a one-line change.
• Check rotated extents stay inside the frame.

4. Verify on a grid, then iterate

Re-render the key phases and lay them out gridded:

# Onto footage:
python3 .claude/skills/overlay-coordinate-grid/scripts/composite.py out/checks/<name>/review.png \
  out/checks/<name>/still-20.png out/checks/<name>/still-100.png \
  --base out/checks/<name>/frame.png --grid 100 --detail x0,y0,x1,y1

# No footage — over dark and light fields:
python3 .claude/skills/overlay-coordinate-grid/scripts/composite.py out/checks/<name>/review.png \
  out/checks/<name>/still-100.png --fields --grid 100

• --grid labels tiles and detail crops in composition pixels, so a correction is read straight off the sheet rather than guessed again.
• --detail appends full-resolution crops of the last composite, one per critical area — where you see whether a cap rests on the hair or floats, or whether a line clears a label by 4px or overlaps it.
• --fields is also the check for white-on-transparent elements, which are invisible against a white preview.

Adjust constants from the measurements and repeat until every critical area is right.

5. For footage-anchored overlays, flag the limitation

Placement is static: it lines up only while the subject stays near the measured pose, and people move — hands most. Say so every time and offer:

1. One overlay per anchor (head, each hand) so each can be motion-tracked independently in the edit.
2. Keyframed anchors — extract frames across the clip, grid each, interpolate the constants over time.

Worked examples

• src/remotion/GraduationLesson/Main.tsx — footage-anchored: a mortarboard placed from a gridded screenshot, tilted from the eye line, rotating about the band's contact point.
• src/remotion/IdentityShell/Main.tsx — no footage: the crack field's bounding box and impact corner are measured from a gridded render of the word, not from its font size.